Summary
"Julia Einstein knew that being a stay-at-home mom had a lot in common with her former job as a celebrity publicist - endless, irrational demands, little to no appreciation, and constant hustle. But it isn't until her husband is laid off from his job and she's forced to go back to work and resurrect screen legend Mary Ford's career that Julia realizes how very much she prefers an actual child to a formerly famous client." "For example, her child doesn't steal ten-thousand-dollar leather coats from photo shoots. Nor does he require a constant, fresh supply of a soda that is no longer in production. He doesn't curse at Julia, pronounce her name "Einstein" with a thick layer of disdainful irony, or incessantly poke at her with his index finger while reciting odd variations on childlike rhymes like a psych patient on day pass. With a mortgage looming and three years out of the business, however, Julia knows she has no choice but to make Mary's comeback a success. Even if it kills her." "Which, at this pace, is a possibility. But if there is one thing Julia has learned from her time off from the office, it's that sheer determination can solve almost everything. After all, if she can get through suburban living with its uncontrolled clutter and playground politics, how hard can it be to resuscitate the career of an aging, desperate has-been? And get over the fact that her husband is a better stay-at-home mom than Julia ever was?"--BOOK JACKET. Distributed by Syndetic Solutions, Inc.
Publishers Weekly Review
Zigman (Animal Husbandry) visits the popular chick lit landscape of Manhattan public relations, but with a less glamorous twist. The publicist is 36-year-old Julia Einstein, a Connecticut housewife who has been relishing her life as a stay-at-home mom to toddler son Leo. When her husband, Peter, loses his job, Julia is thrust back into the world she left behind. After calling on a savvy and successful friend for advice, Julia ends up at John Glom Public Relations, a "firm that handles desperate has-beens," where she must work with actress Mary Ford, billed as a "client, paying for the right to suck the life out of us." That Julia finds an antidote for Mary's dwindling fame is predictable, but the process generates its share of chuckles. Ford is ceaselessly cruel, but her vulnerability flickers tellingly beneath her veneer of icy disgust. Julia's portrait of motherhood is overly sentimental, and her references to Leo as "The Scoob" are doggedly cute. Julia's swift handling of potential PR disasters make for an amusing read, and the ending is just as happy as can be. (Sept. 25) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From: Reed Elsevier Inc.
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